ArchivesSpace at the University of Iowa

This compendium of avant garde musical and performance pieces was put together by the students of Mills College. -- Source of annotation: Marvin or Ruth Sackner.

According to Rushmer, the poems in this book are conceived of as visual sounds. -- Source of annotation: Marvin or Ruth Sackner.

This is the third printing of the book that was first published in 1974. Some of the scores have the appearance of concrete poetry except musical notes substitute for words. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of a book first published in 1970, supplemented with a new chronology and catalogues. -- Source of annotation: Marvin or Ruth Sackner.

This is the deluxe edition. The prints and collaged pages are also presented as printed material within the periodical. -- Source of annotation: Marvin or Ruth Sackner.

The section on Tom Phillips begins by stating that his work "defies all restrictive notions of style and all bids to establish fixed aesthtic categories...The musical output of Tom Phillips is much more than a side aspect of his activity as a painter in that is lends an original dimension, along experimental lines, to the relation between musician and score...Whenever TP makes artistic use of a notation of a musical instrument, he insinuates an interpretation of both temporal and spacial characte -- Source of annotation: Marvin or Ruth Sackner.

This was described as a sounds amd visual recording project with students and artists collaborating. -- Source of annotation: Marvin or Ruth Sackner.

This book is a reprinting of the original Score periodicals that are held by the Sackner Archive and is stored adjacent to them.Douglas Kahn wriets in the preface, "Source: music of the avant garde was a beautifully produced publication of new music scores, essays by composers and artists, statements, interviews, artworks, sound and concrete poems, photo essays, circuit diagrams, instrument designs, event reports, documents, and LP recordings. It appeared in eleven large-format issues from 1967 to1973, semiannually in runs of two thousand copies, and became internationally known among all those interested in new music. and related arts at the time. It is now an invaluable historical document - from an exciting period in the arts, technology, culture, and politics - for what is loosely called experimental music, new music, electronic music, and related developments in poetry, visual arts, and intermedia.." -- Source of annotation: Marvin or Ruth Sackner.